One of the more mysterious powers of art is its ability to bring communities together. And one of the more difficult parts of the past two years has been leaving that behind.
Thankfully, in the summer of 2021, some of our favorite local events came back in a big way. Now, as you’re cuddled up at home, with Omicron creeping at the fringes in what seems like a never-ending “Groundhog’s Day” time loop, let’s relive some of the fun we had in the summertime, perhaps a break in the storm.
Ketch’em Alive rose from the dead, providing free live music for the area. All summer long, people pulled up lawn chairs, breathed in the warm mountain air and jammed to some righteous tunes.
The lineup made up a who’s who of local favorites. Tylor & the Train Robbers, Hogan & Moss, Old Weird America, Andrew Sheppard, Strange Hotels, We are Stardust, Opskamatrists, Blue Flames, Hurdy Gurdy Girls, Brad Parson’s Band and Ashleigh Flynn & the Riveters all made appearances.
Ballet Sun Valley
Dancers from Ballet Sun Valley performed for the first time in two years at the breathtaking outdoor pavilion.
The country’s best danced over four dazzling nights, July 12-13 and Aug. 22-23. The pieces ranged from modern favorites to classic repertoire.
The July festival featured works by George Balanchine, Danielle Rowe, Jessica Lang, Edwaard Liang, Stanton Welch and Justin Peck. Also in July, Pacific Northwest Ballet dancers Elle Macy, Dylan Wald, Leah Terada and Miles Pertl performed Alejandro Cerrudo’s “Future Memory” for the first time in front of an audience.
On Aug. 22, “Sunset, o639 Hours,” combined dance, live music and theater to tell the true story of aviator Captain Edwin Musick’s 1938 flight across the Pacific, choreographed by Matthew Neenan.
“Program B: Artists at Altitude” followed on Monday, Aug. 23. This gala-style show features six performances ranging from about five to 25 minutes, classical to contemporary. Martin West, conductor of San Francisco Ballet Orchestra, served as the music director of the festival musicians.
The Road to the Summer’s End Concert Series descended upon Hailey July 23-24, with more than two dozen bands playing 22 hours of live music at Lions Park.
On what is usually a quaint softball field, music entrepreneur “Dr. Swan” (a.k.a Luke Henry) constructed a booming two-day mini music festival south of Croy Creek Road. Situated right next to the Big Wood River with lots of shade, the scenic venue was a great location to honor the brevity of summer. Campers stayed at both Lions Park and nearby Hop Porter Park.
Shows were split between two stages. Headliners included epic electronic trio Magic Sword from Boise, tender singer/songwriter Gene Evaro Jr. from Joshua Tree and twangy bluegrass Pixie & the Partygrass Boys from Salt Lake City.
The undercard also featured some true gems. Sneaky Pete & the Secret Weapons brought the funk from Wyoming. Tony Holiday & the Soul Service shredded some guitar-driven blues. Portland’s Cedar Teeth scrambled brains and made hearts flutter with their psychedelic fusion of roots rock and indie pop.
Though acts traveled from all over the country to perform, the concert series also showcased its local music community with such bands as Olivia & the Sundog, Side Hustle and Spike Coggins & the Accused.
Other national, regional and local acts included the Quick & Easy Boys, the Sweet Lillies, the Atomic 44s, Hillfolk Noir, Lee Penn Sky & the Olyphants, Brook Faulk & the Family Corvidae, Ryan Curtis, Steve Fulton Band, The French Conditions, Cactus Stew, Jeffrey Halford & the Healers, Dead Lee and Moonshine Schubert.
The Road to Summer’s End showcased a number of artists-at-large who jumped in on others’ sets to collaborate and improvise. These artists included Sean McLean, Aankha Neal, Tamila Johnson, Jimmy Russell, Andrew Sheppard, Ashley Rose Smith, Alyssa Joy Claffey and Kirsti Rae. Outlaw country artist Cruz Contreras conducted a special church event Sunday morning.
Even after the scheduled concerts finished at night, the party did not stop. The Red Shoe hosted late-night shows. On the first night, Send Help!, Mikayli and Skylimit provided beats. The second night, Boot Juice and Hand Trembler rocked out into the night time.
“This year, with life and music starting to come back, I wasn’t really sure if COVID was going to be around,” Henry said at the time.
So he took all 60 bands he’d booked for 2020 and split them up between two weekends. The Road to Summer’s End Concert Series was the first, followed by the second annual Summer’s End—The Draper Rendezvous in late August.
The second annual Summer’s End-The Draper Rendezvous hit Hailey, bringing high-profile headliners The Mother Hips and Thunderpussy to Lions Park.
The lineup was chock-full of exciting acts. Up-and-coming Boise alternative rock band Blood Lemon led a dance party.
Scott Law, Brad Parsons and John Craigie blessed the stage with some sweet country and folk tunes. Artists-at-large Alyssa Joy Claffey and Cruz Contreras added to the spontaneity of the weekend.
Kristine Grazian, a volunteer for the festival who has worked in the music industry for more than 20 years, said she cherishes collaborating with Summer’s End founder Henry.
“The heartfelt love and care that goes into throwing this event by all of the organizers makes this festival feel like you’re coming home to a festival family that genuinely cares about you and nurtures a safe, positive and accepting environment where you are yourself,” Grazian said. “Everyone is so kind and loving, it just feels like a family reunion every year.”
Thunderpussy’s frontwoman Molly Sides inspired a wild live show.
“My hope is that people disconnect from their devices and connect with the present and the feelings that they’re feeling,” Sides said. “Meet new people. Enjoy each other. Life is too short. Have fun. Music is movement. Music is life. It’s a gift to be with people.”
Sun Valley Music Festival
The Sun Valley Music Festival returned on July 26 with guest violinist Vadim Gluzman sitting in with the orchestra.
The festival kicked off the season by indulging in a classic, the “Star-Spangled Banner.” Gluzman, a superstar in classical circles, joined the group with his marvelous 1690 Stradivarius. Together, they performed Mozart’s Concerto No. 3, a delightful piece from the composer’s youth that showcased the elegance of Gluzman’s instrument. The night closed out with the final symphony of Franz Joseph Haydn, “London,” highlighting the composer’s quintessential wit.
July 27 brought “Appalachian Spring” and the Prague Symphony. Initially constructed as the score to Martha Graham’s eponymous ballet, “Appalachian Spring” demonstrated a pure American sound. Mozart’s “Prague,” an ode to a city that showed him veneration, was a sparkling celebration.
Gluzman returned on July 29 for a recital of chamber music with festival musicians. From Igor Stravinsky’s ballet “Pucinella,” they presented “Suite Italienne,” an arrangement for violin and piano. Then they performed “Souvenir de Florence,” the only sextet Tchaikovsky ever wrote, named for the city that inspired the melody.
July 31 was a night full of Beethoven’s epic proportions. The composer’s “Eroica” elevated the medium, seen by many as the shift from classical music to romantic music. With the ambition to convey such themes as heroism, despair, mourning and triumph, the piece was breathtaking. Beethoven’s “Overture to the Creatures of Prometheus” concluded the night.
Sun Valley Arts & Crafts Festival
Atkinson Park in Ketchum hosted the annual Sun Valley Arts & Crafts Festival from Aug. 13-15, offering locals a chance to view and purchase a wide range of work.
One hundred and thirty-two artists displayed their art from 11 disciplines: ceramics, drawing, fiberglass, jewelry, metalwork, mixed media, painting, photography, printmaking, sculpture and woodwork.
Aside from art, there were also food trucks and live music.
“This year, especially, I want the Wood River Valley community to experience togetherness,” event planner Art Daves said. “We are all so excited to be able to contribute to events and public gatherings and to get back on track again. The artists are excited too because they missed it for a year and a half. It’s just great to be doing it live again.”
Here’s to making even more memories in summer 2022. ￼